I've been a professional editor for 4 years, working first in Live Television (for FOX Sports, Horse Racing TV and the NFL Network) and presently in the far more technical Post Production world for a company in Culver City called BakedFX. I am familiar with all kinds of software and edit primarily with Autodesk Smoke, a state-of-the-art platform, as well as more common platforms such as Final Cut Pro (7 or X) and Avid Media Composer. Naturally, I'm more than familiar with other programs, among them: Photoshop, Nuke, and After Effects.
My assets are both technical and creative, both are essential and both I love. In Post, technical aspects reign supreme, how to convert how to play back how to work around, file types, frame rates--you name it. My creative asset is of course why I find myself in editing and it's what I am very good at. Telling a story, using music, transitions, effects, and just good video and sound is why I edit. I am very confident in my ability to meet deadlines.
I offer help with anything that needs an editor or a skilled technical hand. It started out as a hobby, far back in high school, and since then the skills, both creative and technical, and the credits to my name have made me a confident and successful editor, one who currently works full-time in Post Production here in Los Angeles.
Because I have a journalism background from Arizona State University, I have the backbone of a journalists to tell comprehensive and interesting stories through editing. I have a writing background to utilize when necessary, either directly as a writer or indirectly as a story teller via editing. I also do have experience shooting, interviewing, the whole lot.
But most importantly it's my experience that allows me to offer comprehensive editing help. From projects as complicated as "all we have is this footage, now what?" to endeavors as simple as a technical fix, a conversion of some kind, I am trained and skilled. My credentials range from live broadcasting of NBA/NFL Teams, credits on ABC's 'A Very Gaga Thanksgiving,' HBO's Game Of Thrones, where I serve as a technical editor for our post team here, Rihanna's MTV Music Award Nominated video 'Where Have You Been All My Life' (offline editor), Phish Tour Debut video (online/offline editor), 4 recent La-Z-Boy commercials (offline editor), Regional Emmy Nominee for both editing and writing (FOX Sports), previs videos for director F. Gary Grey and various other credentials.
It is these experiences that have trained me to offer any technical need or creative need you might have. I am fast, diligent, detail-oriented, and immersed with this kind of work.
I am proud to offer cross platform availability, from the very sophisticated Smoke, which is an editing software capable of reading almost any kind of digital format as well as capable of advanced VFX work, to Avid and Final Cut, to friends of the two such as Photoshop and After Effects.
If it needs an editor, be it because the story needs to be told, be it because there's 1 to who knows how many little things that need to be done or fixed, I can do it. If it needs to be shot, I can do that too, however I do not own any video equipment.
Arizona State University
2005 - 2009
Horse Racing Television
2010 - Present
Responsibilities include editing live elements for live and original programming shows. Editing is comprised on Final Cut Pro using After Effects, Motion and Photoshop to assist in graphics and animations. Iíve also had the opportunity to implement my own editorial standards for our shows, adding segments and creating new animations, graphics and opens for our programming.
Typical work includes plotting out and conceiving elements for impending shows, formulating formats, and building features, highlights, broll and teases that are immediately used on the air.
This frequently involves high pressure, deadline situations in which editing must be done in a fast manner while maintaining accuracy.
Writing is also a crucial element of this job.
2011 - 2011
I began interning at BakedFX 5-days a week, on my off days and after work. Quickly however, that internship progressed into a freelance editorial opportunity as I was used to edit promos for SEGA and assist in an ABC Special: A Very Gag Thanksgiving, in which I received a "VFX Editorial Assistant" credit. I also assisted in editing the "Marry The Night" Lady Gaga music video which debuted nationally on November 30, 2011. This is very intense work, with advanced knowledge of file types, compression rates, and the willingness to spend long, overnight hours working constantly towards a project's deadline.
Fox Sports Arizona
Lead Production Assistant
2009 - 2010
Responsible for assisting in the creation of video elements for our live and original programming shows. Video elements ranged from complex features and teases to standard broll and sound. This was all done on Avid and Photoshop.
Often video elements had to be edited in a fast-paced environment in which elements were immediately turned around and used on the air.
Over the course of my time, I was promoted to lead Production Assistant, with additional duties centered on ensuring there was an effective system in place for fellow production assistants to consistently supply video support for our live broadcasts.
This work was rewarded with two Emmy nominations with the Rocky Mountain Southwest Chapter in the categories of editing and writing, and I was a group recipient of the Governorsí Award for our community involvement in 2009-10.
Teams covered either in studio or on site were Arizona Diamondbacks, Phoenix Suns, Arizona State Sun Devils, and Arizona Wildcats.
College Affair Magazine
2008 - 2009
The State Press
2007 - 2009
Responsible for writing weekly articles for the Arizona State University newspaper. This included interviewing, editing, fact checking and writing articles for publication.
Articles and columns varied in subject matter. I covered a variety of consistent beats and was expected
The East Valley Tribune
2008 - 2008
Hired as an intern, I was given a variety of assignments on a week-by-week basis that were completed and published either in print or online.
Responsibilities included interviewing, research, writing, and editing. The internship was solely involved with the sports desk and included the entire realm of Phoenix athletics, from high school football to professional basketball.